Z veseljem predstavljamo kratek film s povzetkom dogajanja in vrhuncev na CoFestivalu 2018. Poglejte si ga, obudite spomine in se vidimo spet novembra!
Z veseljem predstavljamo kratek film s povzetkom dogajanja in vrhuncev na CoFestivalu 2018. Poglejte si ga, obudite spomine in se vidimo spet novembra!
the 7th CoFestival is in the books, the impressions remain. We would like to warmly thank our entire team, the performers, our partners and supporters, and of course all the visitors for another successful festival edition. See you in November 2019!
Kino Šiška and Nomad Dance Academy Slovenia are proud to announce the upcoming beginning of the 7th international festival of contemporary dance CoFestival, which will take place at various venues in Ljubljana from 23rd to 29th November. This year’s special focus will be on the Croatian art collective BADco. In addition to the performance Spores, the installation Time Bombs and a discoursive forum on the collective’s work, we will also pay a visit to Zagreb on 17th November to view two of their art pieces there. The most recognizable and internationally renowned performing arts collective in the region is well-known to the Slovenian audience, but their work has never before been presented in such a comprehensive form.
The festival will launch on 23rd November with the performances Opus (Christos Papadopoulos) and Choreoeroticon (Ana Dubljević, Darja Janošević, Marko Milić), alongside the Time Bombs installation and the Nao the Robot (Dejan Srhoj) performance.
CoFestival, the international festival of contemporary dance, will take place from 23rd to 29th November at various venues in Ljubljana. We will serve up both international and Slovenian productions, a conference, symposium, presentations and discussions.
In 2018, we’re paying special attention to a visit by Croatian group BADco.: alongside the performance Spores (Kino Šiška, 28. 11.) also a trip to Zagreb (17. 11. – a performative installation at the Richter Collection and the performance Correcting Rhythm). During the festival, we will also organise a discursive segment: a symposium, installation and documentation.
CoFestival remains a junction of the artistic and production capabilities of Kino Šiška and Nomad Dance Academy, as well as collaboration with partners at home and abroad.
We are happy to announce the participation of the following artists already: Christos Papadopoulos, Ana Dubljević, Marko Milić, Lucinda Childs, Dance On Ensemble/Rabih Mroué, Gisela Mueller, Mala Kline, Anna Konjetzky, BADco., Dejan Srhoj, Ana Vujanović and Marta Popivoda.
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This year’s edition of CoFestival comes to an end. Successfully on different levels, regarding the number of artists, events, location and audiences.
Thank you for making our festival stronger, and we really appreciate your participation to the festival program.
Your contribution and friendly expression of trust are expressed in your believing in us. We sincerely hope that joint efforts make our program unique, powerful and worthwhile, with long-term effects. Your contribution is truly a pleasure for us, on an artistic and human level.
Once again, thank you very much for believing in us and becoming a part of the CoFestival family.
Due to an unfavourable weather prognosis, we’re moving Urban Notes to Thursday, 21st September 2017. The final destination remains Kino Šiška, we’ll reach it at 6:30 pm.
We listed the wrong date of the Lastings – Passings Open Atelier, the correct date is Thursday, 21st September 2017. We apologise for the mistake.
Thank you for your understanding.
We invite you to the opening of CoFestival, the international contemporary dance festival, on Saturday, 16th September 2017, at 8 pm at Kino Šiška.
The festival will be launched by the Yvonne Rainer’s WAR installation by Bojana Cvejić and Lennart Laberenz in the upper lobby, and Austrian choreographer Doris Uhlich’s performance Boom Bodies in the Katedrala Hall.
Tickets available at all Eventim sales outlets.
CoFestival, the international contemporary dance festival, will take place from 16th to 24th September 2017 at various locations around Ljubljana. We will present international and domestic productions, art workshops, presentations, discussions and a film evening.
The festival is a meeting point between the artistic and production powers of Kino Šiška and Nomad Dance Academy and the cooperation with local and foreign partners.
We are happy to confirm the participation of the following artists: Doris Uhlich, Christos Papadopoulus, Martin Nachbar, Barbara Matijevic, Jefta van Dinther, Mateja Bucar, Rodrigo Sobarzo de Larraechea, Samuel Lefeuvre, Andrea Bozic, Willi Dorner, Andreja Rauch Podrzavnik, Jana Jevtovic, Celine Larrere, Jack Walsh and Magdalena Chowaniec.
In cooperation with Spider Festival, we are also preparing the premiere showing of Chorus, by Slovenian authors Žigan Kranjčan, Gašper Kunšek and Jan Krmelj.
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Zaključni del CoFestivala prinaša tudi festivalske vrhunce. Z vidika telesnega nasilja v sodobni družbi se ukvarja predstava mladih nemških umetnikov Verene Billinger in Sebastiana Schultza Nasilni dogodek, v petek 2.12.2016 v LGL Odru pod zvezdami. Tradicionalne obrazce plesnih kolektivov pod optiko korporativne ekonomske eksploatacije z antropološkim pristopom koreografsko raziščeta Amanda Piña in Daniel Zimmerman v predstavi Ples in upor iz serije Ogrožena človeška gibanja v soboto 3.12. in nedeljo 4.12.2016 v Kinu Šiška.
Predstava Približevanja #5 nemško-srbskega tandema Martina Sonderkampa in Darka Dragičevića nam razodene, da družbenega in političnega prostora ali prostora emancipacije ni mogoče razumeti brez temeljnega razumevanja posebnosti fenomenoloških – materialnih dinamik (individualnih ali mnoštvenih) teles v odnosu do kraja in njegove utilitarnosti (prostora), pa bon a sporedu v soboto 3.12.2016 v KC Tobačna.
Ne zamudite vikenda s CoFestivalom.
Ljubljana, 25 November − 4 December 2016
This year’s CoFestival – international contemporary dance festival – brings a series of top international and national contemporary dance works and events that use different approaches to the issues of collectivism and individuality and their symptoms at the permeable border between the private and the public in order to question the potentials of new social cohesions. The programme of the festival grew from the interests and ambitions of its artistic committee interested in contemporary approaches to choreographic practices and ways of communicating with the public and audience. As always, the programme of the festival is problem-oriented and a result of collective efforts and consensus.
CoFestival emerged from the final productions titled Short Cuts and made in the course of the education cycle of the Nomad Dance Academy taking place in 2008 and 2010 in Ljubljana. Because the short cuts spontaneously acquired the form of broadened international festival programme, we decided to organise Pleskavica festival in 2011; the hall and other rooms of Tabor Secondary School Student Residence hosted 36 foreign artists and experts active in the field of contemporary choreographic practices. Pleskavica 2011 initiated an original, participatory and inclusive form of festival programme and choreographic work on the margins of dramatic financial cuts in the cultural budget. In 2012, we thus had to link several festivals and international programmes from the field of contemporary dance that we created or participated in: Pleskavica (Fičobalet and NDA Slovenia), Ukrep, festival of dance perspectives (PTL with Rok Vevar, Sinja Ožbolt and Živa Brecelj), EDN network activity with European project Modul Dance (Kino Šiška with Goran Bogdanovski, Mitja Bravhar and Simon Kardum), and activities of the regional network Nomad Dance Academy (Dragana Alfirević, Dejan Srhoj, Goran Bogdanovski, Jasmina Založnik and Rok Vevar). The result was CoFestival, which underwent modest growth and changes in 2012 and 2014 and consolidated in 2015 into the only true and serious international contemporary dance festival in Slovenia. In terms of contents and funds, we can speak about a miracle of programme and production.
This year’s festival programme was drafted just before the national funding plan was published. This is when it became clear that contemporary dance in Slovenia faces the darkest year since the country declared independence. The situation, namely, borders on the public erasure of this art practice. The field of contemporary dance in Slovenia has become brutally segregated owing to the absence of professional criteria, the absence that actually decides on the right to work. This will have long-term consequences for our creative sector. This we need to be aware of. In our programme orientation and work, the CoFestival artistic team persist in the strategic strengthening of the field, and attempt to continue this practice. Our tactics may become somewhat harsher, too.
This year’s edition of CoFestival brings Collective Jumps, a mass choreography of the established German choreographer Isabelle Schad that questions the emancipatory potentials of the massive dancing body. Traditional patterns of dance collectives under the optic of corporative economic exploitation are the subject of anthropological approach of choreographers Amanda Piña and Daniel Zimmerman in Dance and Resistance from the Endangered Human Movements series. The aspects of collectivism and aesthetics are the topics of Goran Bogdanovski’s piece 2:0, which revives the dissolved ballet and football collective from 2000 that helped the choreographer stage his contemporary ballet hit 1:0 at the Ljubljana Opera, and of Alberto Quesada’s Solo on Bach and Glenn that focuses on choreographic procedurality that replaced choreographer’s instance with egalitarian use of dance scores in the recent history of dance; this brought about the de-hierarchisation of the choreographic field of dance modernism. The aspects of physical violence in the contemporary society are addressed by Violent Event, a piece of young German artists Verena Billinger and Sebastian Schulz, which analyses forms of contemporary spectacular physical brutality in different forms of mediatisation, while Still Standing You performed by Flemish-Portuguese duo Pieter Ampe and Guilhermo Garrida exposes the violence of male friendship in the context of heteronormativity. The performance of Slovenian artist Bara Kolenc titled Rhetoric – Private Thoughts tackles the institution of justice and legal rhetoric in relation to the measured rhetoric function allocated to an individual within the judiciary apparatus, while Only Mine Alone by Serbian dancers, performers and choreographers Igor Koruga and Ana Dubljević is a touching study of forms of contemporary psychopathology that poses a question of whether stepping out of private resolution of systemic contradictions may bring about new social consolidation.
Approximations #5 made by German-Serbian tandem Martin Sonderkamp and Darko Dragičević reveals that the social and political space or the space of emancipation cannot be understood without a fundamental understanding of the particularities of phenomenological – material dynamics of (individual or collective) bodies in relation to a location and its utilitarianism (space), while Roberta Milevoj’s solo Roberta Again, built on subtle dance expression, asks the question of whether any reconciliation and contact is possible between the natural and artificial spaces, or whether escapism is the only possible solution.
The side programme will deal with broadened views of the notion of choreographic, dance and culture work and with temporal (historical) physical and artistic traces. Historical dance contexts and communities will be addressed by exhibitions Ksenija Hribar: Between British and Slovenian Contemporary Dance Context and professional meeting Archiving Choreographic Practices in the framework of the Nomad Dance Institute programme. Different phenomena of accumulations of time in bodies will be addressed at the Extensions #1 workshop led by Martin Sonderkamp and Darko Dragičević, by Michael Maurissen’s film Body as Archive, and in the discussion with dance dramaturge Guy Cools at the presentation of his new book Imaginative Bodies. Nina Božič Yams and Dejan Srhoj, leaders of workshop Use of Choreoghraphic Tools in the Context of Organisation, will attempt to expand contemporary dance to other fields of social activities, while the presentation of Franco “Bifo” Berardi’s book Cognitarians and Semiocapital, soon to be published by Zavod Maska, will offer an opportunity to discuss the burning issue of precarious work with Katja Čičigoj.
We are therefore encountering the fifth edition of CoFestival and the ninth edition of our common work. CoFestival, international contemporary dance festival, is understood as a choreographic manifestation of active citizenship and artistic consolidation of differences that require agreements, arguments, negotiations about the ways of cohabitation, and mindfulness of others. We are building on the expanded conception of choreographic practices as a specific artistic activity and on a broad view of choreographic and dance work, which is not only related to the production of stage works, but also to the ways of productivity and above all creativity, which do not tend exclusively towards the established forms of cultural product and which are usually held outside public, although they have a decisive impact on the ways of working and thinking in dance and choreography. Process-oriented, continuous, long-term and thorough work in the field of choreographic practices and their culture, as well as in the broader field of cultural production, is extremely important to us. And such work has our particular support. We are aware of the national erosion of the cultural and choreographic contexts that affects creative processes especially because of uncertain access to financial sources and dramatic aggravations of survival modalities of artists and creators. If contemporary capitalism is largely subject to the production of subjectivities, which subsequently means the production of individualities and immunitary strategies of individual isolated entities (individuals or communities), CoFestival resists it by promoting intersubjectivity, different relationships seen as a prerequisite for the formation of (artistic, cultural) community, common thinking and ways of coexistence. Although our common work is full of negotiations, disputes, argumentations and management of differences, we understand this as a process of our common and individual growing and learning. We can see the challenges and joys it brings us. The time of our collective work is also understood in the historical context: as a process of class struggle which fostered the processes of change in cultural and artistic practices, including contemporary dance and choreographic practices, so their placement in the wider historical context is something that we want to continue. We want our audience to be aware of the fact that dance is inhabited by an extensive time of history.
We wish you a lot of pleasure while watching performances, many meaningful questions that they will raise, and we would like to see a great number of you at film screenings, discussion events, lectures and workshops, so: socialise with us and coexist with our CoFestival.
For solidarity, humanity and love for one another!
25th November – 4th December 2016
The fourth edition of CoFestival will again take place at various locations in Ljubljana. This year, the international dance festival revolves around the themes of Dance and Resistance. It also provides meaning for the Community, referring to the unstructured condition in which all members of a community share a common experience, usually through the rite of passage.
The festival will feature various projects by domestic and foreign choreographers and artists, including Goran Bogdanovski, Igor Koruga, Ana Dubljević, Roberta Milevoj, Pieter Ampe, Guilhermo Garrido, Albert Quesada, Michael Turinsky, Isabelle Schad, Amanda Pina, Daniel Zimmerman, Bara Kolenc, Dejan Srhoj, Nina Božič, Martin Sonderkamp, Darko Dragičević, Verena Billinger and Sebastian Schulz.
Rok Vevar’s exhibition project, Ksenija Hribar From LCDT To PTL, will also be on display during the festival.
Production: Kino Šiška and Nomad Dance Academy Slovenia
Locations: Kino Šiška, LGL, Tobačna 001 Gallery
Photo: Dance & Resistance, Nadaproduction
Kino Šiška has become a member of EDN (European Dancehouse Network) – network of trust and collaboration between 35 European dancehouses from 22 countries sharing a common vision regarding the development of dance art across borders. Our main aim is to cooperate in securing a sustainable future for the dance sector and to improve relevance for diverse dance among society.
Dancehouses have facilities for dance production, research and presentation, supporting systems for professional choreographers and dancers and have a public mandate under independent artistic management. Parallel to an ongoing annual programme they organize activities for learning and participation and regularly engage in dance and similar fields both locally and internationally.
Since its foundation in 2009, EDN has been an umbrella for different cooperation projects such as modul-dance, EVDH – European Video Dance Heritage, Léim, Communicating Dance, Chin-A-moves, Kore-A-moves and Dance Dialogues Africa, some of them possible thanks to the support of European Culture Programmes. Maintaining individualities and differences and working horizontally in methods and practice, all the members collaboarte to promote the idea of a diverse Europe, secure a sustainable future for the dance sector and strengthen its relevance.